ALE: (Excerpt from an interview with ALE from subwayoutlaws.com)
This is probably my favorite story to tell. The story begins in the winter of 1973, when I met M.S.18 (who later changed his name to ROACH) at his house on Allerton Avenue. We went painting at 2:30 in the morning at Esplanade tunnel. M.S. 18 thought it was better to paint late at night and avoid all the writers that would be there early in the evening. And I thought who could raid us that late at night? We walked to Pelham Parkway station and the booths were closed. Back then you pay on the train after 11pm. The inside of the station was deserted. There was no sound except the humming of the lay-up train motors. We walked through the lay-up tunnel,and even with the limited lighting, you can see a gallery of the best writers of the day. I walked past a fresh STAFF 161 piece with a checker board cloud. The STAFF piece looked incredible. The paint looked as if it was just painted. Three cars down I saw a PISTOL 1 piece. It has a 3-D design that blew me away. I stared at it for a while, until I realized that there was a nice clean spot next to it. So, I knocked out a window-down ALE piece. It wasn't my best effort, but the rest is history! Many writers say PISTOL did not do the first 3-D piece. I can tell you that I watched many a train in the early 70's and PISTOL 's piece was the first 3'-D that I saw. In any case, PISTOL's 3-D piece was unquestionably, one of the best pieces done in 1973. I met PISTOL at a gallery show in 1996 and he told me that piece was his last train piece! I had a few pieces of mine crossed out during my run. The more pieces you do the more likely somebody is going to get jealous!
"I was going to do the 3-D in late 72, but I was arrested for stealing spray paint. If I broke probation I faced jail time. I thought real hard and realized if I didn't do it someone else would. On a Saturday morning in March of 73, I went by myself to an IRT #5 train layup in the Bronx. I painted what was the first 3-D and the last time I painted on the subways."
Fred: (Excerpt from an interview with FRED from the book, Getting Up)
The next revolution in style occurred when PISTOL 1, a Brooklyn writer, painted the first 3-D piece. It consisted of his name painted in red and white and partially outlined with a black band that gave it a three dimensional appearance. FRED described the writers’ reaction to Pistol’s first 3-D. “Writers came from all over the city to see it. It was the talk of the town for a while because everyone wanted to do one but couldn’t conceive of being able to do it. PISTOL must have practiced on paper for a long time to get it down. After a while, though, people started to try it, and then everybody was doing it, improving on it, adding touches of their own”
At this point a new term entered graffiti language: STYLE MASTER.
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